<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-29151909</id><updated>2012-02-15T14:39:36.333+01:00</updated><title type='text'>PEGAONDAS</title><subtitle type='html'>BARCELONA</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default?start-index=101&amp;max-results=100'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3181</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-29151909.post-670598202775614110</id><published>2012-02-15T14:29:00.008+01:00</published><updated>2012-02-15T14:35:08.991+01:00</updated><title type='text'>FLOWERS, my way...</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-Ag1ruCFj3NY/Tzu0YmzI5mI/AAAAAAAAPyU/YtY2XypXb2Q/s1600/DOUB1.jpg"&gt;&lt;img style="TEXT-ALIGN: center; 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Hoy, una torpe cruzada organizada por algunos miembros de la ONU- España incluida- intenta eliminarlo a toda costa para salvaguardar al pueblo e instalar la democracia...Ante tanta hipocresía desplegada por los políticos, cómo considerar ni minimamente que tengan buenas intenciones. En 2004 ante la guerra de Irak, media España se manifestó en las calle mostrando su más completo rechazo a intervenir en algo injustificado y criminal. Hoy, nadie se mueve y aceptamos sin rechistar cualquier barbaridad. Debería darnos un poco de vergüenza el permitir que nos engañen con tanta facilidad...&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://1.bp.blogspot.com/-It_gR6ih-FU/TYt8ZUWiGgI/AAAAAAAAPK4/PthC9_efkQU/s1600/Zapatero_Gaddafi.jpg"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 214px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696537085024770" border="0" alt="" src="http://1.bp.blogspot.com/-It_gR6ih-FU/TYt8ZUWiGgI/AAAAAAAAPK4/PthC9_efkQU/s400/Zapatero_Gaddafi.jpg" /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/-uqrnCj8f2Gw/TYt8UygstUI/AAAAAAAAPKw/D_VKTJLFgis/s1600/putin-with-gaddafi.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 267px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696459281380674" border="0" alt="" src="http://1.bp.blogspot.com/-uqrnCj8f2Gw/TYt8UygstUI/AAAAAAAAPKw/D_VKTJLFgis/s400/putin-with-gaddafi.jpg" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/-33YMtiG6sBY/TYt8O-tlODI/AAAAAAAAPKo/fltTatLg7Yk/s1600/gaddafi-tambalea-L-pmemHC.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696359477426226" border="0" alt="" src="http://2.bp.blogspot.com/-33YMtiG6sBY/TYt8O-tlODI/AAAAAAAAPKo/fltTatLg7Yk/s400/gaddafi-tambalea-L-pmemHC.jpg" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/-kjbUG8r6YlI/TYt8KMmgA7I/AAAAAAAAPKg/0qPyP8mc5WE/s1600/gaddafi_sarkozy.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696277306475442" border="0" alt="" src="http://2.bp.blogspot.com/-kjbUG8r6YlI/TYt8KMmgA7I/AAAAAAAAPKg/0qPyP8mc5WE/s400/gaddafi_sarkozy.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/-x3eNjLbm_nI/TYt8F8OiBKI/AAAAAAAAPKY/TH9ZHc8grTI/s1600/GADAFI%257E1.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696204191499426" border="0" alt="" src="http://3.bp.blogspot.com/-x3eNjLbm_nI/TYt8F8OiBKI/AAAAAAAAPKY/TH9ZHc8grTI/s400/GADAFI%257E1.JPG" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/-FmSWjqGCOe8/TYt8BjYkT8I/AAAAAAAAPKQ/ywStmTdWgO8/s1600/Berlusconi%252520Gaddafi.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 274px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696128803229634" border="0" alt="" src="http://4.bp.blogspot.com/-FmSWjqGCOe8/TYt8BjYkT8I/AAAAAAAAPKQ/ywStmTdWgO8/s400/Berlusconi%252520Gaddafi.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/-550wnazXalU/TYt77LYOavI/AAAAAAAAPKI/lq9-tvxatI4/s1600/ban1gaddafi.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 279px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587696019280128754" border="0" alt="" src="http://4.bp.blogspot.com/-550wnazXalU/TYt77LYOavI/AAAAAAAAPKI/lq9-tvxatI4/s400/ban1gaddafi.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/-j-T5dqj3d8A/TYt73hS7B1I/AAAAAAAAPKA/eeAeZuyj-sE/s1600/88959668.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 261px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587695956443989842" border="0" alt="" src="http://3.bp.blogspot.com/-j-T5dqj3d8A/TYt73hS7B1I/AAAAAAAAPKA/eeAeZuyj-sE/s400/88959668.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/-O0zBG9qH9Rg/TYt7z8-TBUI/AAAAAAAAPJ4/Jj4bc7Pnsw0/s1600/610x.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 217px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587695895154197826" border="0" alt="" src="http://4.bp.blogspot.com/-O0zBG9qH9Rg/TYt7z8-TBUI/AAAAAAAAPJ4/Jj4bc7Pnsw0/s400/610x.jpg" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/-CxDrZUiXj3E/TYt7wvftboI/AAAAAAAAPJw/vvy9CrhQtGw/s1600/11.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 214px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587695839996636802" border="0" alt="" src="http://1.bp.blogspot.com/-CxDrZUiXj3E/TYt7wvftboI/AAAAAAAAPJw/vvy9CrhQtGw/s400/11.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/-j9aNjugovXg/TYt7tcMJyMI/AAAAAAAAPJo/GMUM-qCkjQ4/s1600/5dd1.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 259px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5587695783274727618" border="0" alt="" src="http://4.bp.blogspot.com/-j9aNjugovXg/TYt7tcMJyMI/AAAAAAAAPJo/GMUM-qCkjQ4/s400/5dd1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29151909-4752149393450392202?l=pegaondas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/4752149393450392202/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29151909&amp;postID=4752149393450392202&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/4752149393450392202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/4752149393450392202'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/2011/01/vuitton.html' title='VUITTON...'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Yyg23vIoxmI/TSxZRUz4VYI/AAAAAAAAO-M/cJtMhz-NhN4/s72-c/100Trunks-4.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29151909.post-871007225917378915</id><published>2011-01-09T08:27:00.003+01:00</published><updated>2011-01-11T14:24:06.355+01:00</updated><title type='text'>THE KIDS ARE ALLRIGHT...</title><content type='html'>&lt;div align="center"&gt;&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TSllP-DTiXI/AAAAAAAAO9s/MYhRORUYDgo/s1600/MUDD53.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 397px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5560086539994892658" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TSllP-DTiXI/AAAAAAAAO9s/MYhRORUYDgo/s400/MUDD53.jpg" /&gt;&lt;/a&gt; &lt;strong&gt;&lt;span style="font-size:130%;"&gt;EXCELENTE ALBUM DE "THE WHO" Y PESIMA PELICULA DEL MISMO NOMBRE QUE, COMO NO, SE POSTULA COMO CANDIDATA A LOS OSCAR...&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;NO EXISTE NADA PEOR QUE EL MAS RANCIO Y CONSERVADOR CINE AMERICANO DISFRAZADO DE TOLERANTE Y PROGRESISTA. EN ESTE CASO, OPTA POR UNA FAMILIA CUYOS PROGENITORES SON UNA PAREJA DE LESBIANAS, Y AHI SE ACABO TODO. LOS TOPICOS MAS BASICOS , LA HISTORIA MAS SIMPLE Y EL NULO APROVECHAMIENTO DE UNA ACTRIZ COMO JULIANNE MOORE...DE LOS DEMAS, NI HABLAR...&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;POR SUERTE SIEMPRE NOS QUEDARA EL RECUERDO DEL DISCO DE LA MITICA BANDA DE ROCK...&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TSljmsLsOrI/AAAAAAAAO9c/RBGmCBThvqA/s1600/the-kids-are-alright-2010-r1-front-cover-58761.jpg"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 268px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5560084731311962802" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TSljmsLsOrI/AAAAAAAAO9c/RBGmCBThvqA/s400/the-kids-are-alright-2010-r1-front-cover-58761.jpg" /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29151909-871007225917378915?l=pegaondas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/871007225917378915/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29151909&amp;postID=871007225917378915&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/871007225917378915'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/871007225917378915'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/2011/01/kids-are-alllright.html' title='THE KIDS ARE ALLRIGHT...'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Yyg23vIoxmI/TSllP-DTiXI/AAAAAAAAO9s/MYhRORUYDgo/s72-c/MUDD53.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29151909.post-5359566992357253032</id><published>2011-01-06T13:09:00.001+01:00</published><updated>2011-01-06T13:11:00.166+01:00</updated><title type='text'>GATO BARBIERI...Gatos y Lalos...</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_Yyg23vIoxmI/TSWxLlRG2nI/AAAAAAAAO9U/JwnVJ26Peig/s1600/gato-barbieri-3.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 278px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5559044127599286898" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TSWxLlRG2nI/AAAAAAAAO9U/JwnVJ26Peig/s400/gato-barbieri-3.jpg" /&gt;&lt;/a&gt; &lt;strong&gt;&lt;span style="font-size:130%;"&gt;Leandro “Gato” Barbieri (&lt;/span&gt;&lt;/strong&gt;&lt;a title="Rosario (Argentina)" href="http://es.wikipedia.org/wiki/Rosario_(Argentina)"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Rosario&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Argentina" href="http://es.wikipedia.org/wiki/Argentina"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Argentina&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;; &lt;/span&gt;&lt;/strong&gt;&lt;a title="28 de noviembre" href="http://es.wikipedia.org/wiki/28_de_noviembre"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;28 de noviembre&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; de &lt;/span&gt;&lt;/strong&gt;&lt;a title="1932" href="http://es.wikipedia.org/wiki/1932"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1932&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;), es un &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Saxofonista" href="http://es.wikipedia.org/wiki/Saxofonista"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;saxofonista&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Jazz" href="http://es.wikipedia.org/wiki/Jazz"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;jazz&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Argentino" href="http://es.wikipedia.org/wiki/Argentino"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;argentino&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;.&lt;br /&gt;Representante destacado del &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Latin Jazz" href="http://es.wikipedia.org/wiki/Latin_Jazz"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;jazz latino&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, participó en su juventud en la banda de otro destacado jazzista argentino, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Lalo Schifrin" href="http://es.wikipedia.org/wiki/Lalo_Schifrin"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Lalo Schifrin&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Ha abordado también en su carrera el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Jazz" href="http://es.wikipedia.org/wiki/Jazz"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;jazz&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; de &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Vanguardia" href="http://es.wikipedia.org/wiki/Vanguardia"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;vanguardia&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, sobre todo en la década de 1960, y el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Pop" href="http://es.wikipedia.org/wiki/Pop"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;pop&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y la &lt;/span&gt;&lt;/strong&gt;&lt;a title="Jazz rock" href="http://es.wikipedia.org/wiki/Jazz_rock"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;fusión&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; a finales dela década de 1970.&lt;br /&gt;Ha sido influenciado por &lt;/span&gt;&lt;/strong&gt;&lt;a title="John Coltrane" href="http://es.wikipedia.org/wiki/John_Coltrane"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;John Coltrane&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Pharoah Sanders" href="http://es.wikipedia.org/wiki/Pharoah_Sanders"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Pharoah Sanders&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Carlos Santana" href="http://es.wikipedia.org/wiki/Carlos_Santana"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Carlos Santana&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Su música tiene frecuentemente un tono desgarrado, a base de notas largas y con un volumen elevado.&lt;br /&gt;[&lt;/span&gt;&lt;/strong&gt;&lt;a title="Editar sección: Biografía esencial" href="http://es.wikipedia.org/w/index.php?title=Gato_Barbieri&amp;amp;action=edit&amp;amp;section=1"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;editar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;] Biografía esencial&lt;br /&gt;A los doce años aprende a tocar el clarinete tras sentirse impresionado por la escucha de "Now's the Time" de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Charlie Parker" href="http://es.wikipedia.org/wiki/Charlie_Parker"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Charlie Parker&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Se traslada con su familia a &lt;/span&gt;&lt;/strong&gt;&lt;a title="Buenos Aires" href="http://es.wikipedia.org/wiki/Buenos_Aires"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Buenos Aires&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; en 1947 y continua recibiendo lecciones de música, cambiándose al &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Saxo alto" href="http://es.wikipedia.org/wiki/Saxo_alto"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;saxo alto&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;; hacia 1953 se convierte en una celebridad musical gracias a sus actuaciones en la orquesta de Lalo Schifrin. A finales de la década, comenzó a dirigir sus propios grupos, tocando ya el &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Saxo tenor" href="http://es.wikipedia.org/wiki/Saxo_tenor"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;saxo tenor&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Se traslada a &lt;/span&gt;&lt;/strong&gt;&lt;a title="Roma" href="http://es.wikipedia.org/wiki/Roma"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Roma&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; en 1962 y conoce en &lt;/span&gt;&lt;/strong&gt;&lt;a title="París" href="http://es.wikipedia.org/wiki/Par%C3%ADs"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;París&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; a &lt;/span&gt;&lt;/strong&gt;&lt;a title="Don Cherry" href="http://es.wikipedia.org/wiki/Don_Cherry"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Don Cherry&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, uniéndose a su grupo y empapándose del jazz de vanguardia. Tocó también con Mike Mantler's Jazz Composers' Orchestra a finales de la década de 1960.&lt;br /&gt;Ya en la década de 1970, experimenta un cambio musical y se decide por la reincorporación en su música de melodías, instrumentos, armonías, texturas y ritmos sudamericanos, con dos excelentes músicos, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Domingo Cura" href="http://es.wikipedia.org/wiki/Domingo_Cura"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Domingo Cura&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a class="new" title="Adalberto Cevasco (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Adalberto_Cevasco&amp;amp;action=edit&amp;amp;redlink=1"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Adalberto Cevasco&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Discos como el directo El Pampero on Flying Dutchman y sus obras para Impulse, con exploraciones de ritmos y texturas brasileñas, afrocubanas y argentinas, le proporcionaron un gran prestigio en el mundo del jazz.&lt;br /&gt;Fue, no obstante, un éxito comercial el que lo llevaría a sus cotas más altas de popularidad: su sensual banda sonora para la película de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Bernardo Bertolucci" href="http://es.wikipedia.org/wiki/Bernardo_Bertolucci"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Bernardo Bertolucci&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;a title="El último tango en París" href="http://es.wikipedia.org/wiki/El_%C3%BAltimo_tango_en_Par%C3%ADs"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;El último tango en París&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, de 1972. Un contrato con A&amp;amp;M en los &lt;/span&gt;&lt;/strong&gt;&lt;a title="Estados Unidos" href="http://es.wikipedia.org/wiki/Estados_Unidos"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Estados Unidos&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; le llevó a realizar discos de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Fusión" href="http://es.wikipedia.org/wiki/Fusi%C3%B3n"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;fusión&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; entre jazz y el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Pop" href="http://es.wikipedia.org/wiki/Pop"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;pop&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; a finales de la década de 1970. Se centró luego, a principios de la década de 1980, en un sonido suramericano más intenso e influenciado por el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Género musical" href="http://es.wikipedia.org/wiki/G%C3%A9nero_musical"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;rock&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, aunque sus oscilaciones estilísticas son constantes en su carrera.&lt;br /&gt;Aquejado de serios problemas al &lt;/span&gt;&lt;/strong&gt;&lt;a title="Corazón" href="http://es.wikipedia.org/wiki/Coraz%C3%B3n"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;corazón&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y afectado por la muerte de su mujer, Barbieri estuvo inactivo prácticamente a lo largo de toda la década de 1990, pero regresó en 1997, tocando intensamente en el Playboy Jazz Festival de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Los Ángeles" href="http://es.wikipedia.org/wiki/Los_%C3%81ngeles"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Los Ángeles&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, grabando a partir de entonces varios discos.&lt;/span&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29151909-5359566992357253032?l=pegaondas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/5359566992357253032/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29151909&amp;postID=5359566992357253032&amp;isPopup=true' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/5359566992357253032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/5359566992357253032'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/2011/01/gato-barbierigatos-y-lalos.html' title='GATO BARBIERI...Gatos y Lalos...'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Yyg23vIoxmI/TSWxLlRG2nI/AAAAAAAAO9U/JwnVJ26Peig/s72-c/gato-barbieri-3.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29151909.post-1235644844408361328</id><published>2011-01-06T13:01:00.003+01:00</published><updated>2011-01-06T13:08:39.874+01:00</updated><title type='text'>Lalo Schifrin</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TSWvGUtKWuI/AAAAAAAAO9M/MYgpC7SSsQU/s1600/laloschifrin.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 322px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5559041838230952674" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TSWvGUtKWuI/AAAAAAAAO9M/MYgpC7SSsQU/s400/laloschifrin.jpg" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Boris Claudio Schifrin, conocido como Lalo Schifrin y nacido en &lt;/span&gt;&lt;/strong&gt;&lt;a title="Buenos Aires" href="http://es.wikipedia.org/wiki/Buenos_Aires"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Buenos Aires&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; el &lt;/span&gt;&lt;/strong&gt;&lt;a title="21 de junio" href="http://es.wikipedia.org/wiki/21_de_junio"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;21 de junio&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; de &lt;/span&gt;&lt;/strong&gt;&lt;a title="1932" href="http://es.wikipedia.org/wiki/1932"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1932&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; es un &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Pianista" href="http://es.wikipedia.org/wiki/Pianista"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;pianista&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, arreglista, director y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Compositor" href="http://es.wikipedia.org/wiki/Compositor"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;compositor&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Argentino" href="http://es.wikipedia.org/wiki/Argentino"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;argentino&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Música clásica" href="http://es.wikipedia.org/wiki/M%C3%BAsica_cl%C3%A1sica"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;música clásica&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Jazz" href="http://es.wikipedia.org/wiki/Jazz"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;jazz&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Música popular" href="http://es.wikipedia.org/wiki/M%C3%BAsica_popular"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;música popular&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Sus mayores éxitos los ha obtenido con sus bandas sonoras para &lt;/span&gt;&lt;/strong&gt;&lt;a title="Cine" href="http://es.wikipedia.org/wiki/Cine"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;cine&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Televisión" href="http://es.wikipedia.org/wiki/Televisi%C3%B3n"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;televisión&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, siendo mundialmente conocida la banda sonora de la serie &lt;/span&gt;&lt;/strong&gt;&lt;a title="Misión: Imposible" href="http://es.wikipedia.org/wiki/Misi%C3%B3n:_Imposible"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Misión: Imposible&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;.&lt;br /&gt;[&lt;/span&gt;&lt;/strong&gt;&lt;a title="Editar sección: Biografía" href="http://es.wikipedia.org/w/index.php?title=Lalo_Schifrin&amp;amp;action=edit&amp;amp;section=1"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;editar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;] Biografía&lt;br /&gt;Animado por su padre, violinista sinfónico, Lalo comenzó a tocar el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Piano" href="http://es.wikipedia.org/wiki/Piano"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;piano&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; a los 6 años de edad. Cursó su secundario en el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Colegio Nacional de Buenos Aires" href="http://es.wikipedia.org/wiki/Colegio_Nacional_de_Buenos_Aires"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Colegio Nacional de Buenos Aires&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. En 1952, entró a estudiar en el &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Conservatoire de Paris" href="http://es.wikipedia.org/wiki/Conservatoire_de_Paris"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Conservatoire de Paris&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y participó de la vida jazzística nocturna parisina (a la cual era muy aficionado entonces el escritor también argentino &lt;/span&gt;&lt;/strong&gt;&lt;a title="Julio Cortázar" href="http://es.wikipedia.org/wiki/Julio_Cort%C3%A1zar"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Julio Cortázar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;). Tras regresar a &lt;/span&gt;&lt;/strong&gt;&lt;a title="Buenos Aires" href="http://es.wikipedia.org/wiki/Buenos_Aires"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Buenos Aires&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, Schifrin formó una &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Big band" href="http://es.wikipedia.org/wiki/Big_band"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;big band&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. En &lt;/span&gt;&lt;/strong&gt;&lt;a title="1956" href="http://es.wikipedia.org/wiki/1956"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1956&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; conoce al trompetista &lt;/span&gt;&lt;/strong&gt;&lt;a title="Dizzy Gillespie" href="http://es.wikipedia.org/wiki/Dizzy_Gillespie"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Dizzy Gillespie&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, quien luego le encargaría que escribiera para él. El trabajo fue una suite de cinco movimientos, titulada Gillespiana, que termina en &lt;/span&gt;&lt;/strong&gt;&lt;a title="1958" href="http://es.wikipedia.org/wiki/1958"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1958&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Ese mismo año, se convierte en el arreglista del músico español &lt;/span&gt;&lt;/strong&gt;&lt;a title="Xavier Cugat" href="http://es.wikipedia.org/wiki/Xavier_Cugat"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Xavier Cugat&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. En &lt;/span&gt;&lt;/strong&gt;&lt;a title="1960" href="http://es.wikipedia.org/wiki/1960"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1960&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, se traslada a &lt;/span&gt;&lt;/strong&gt;&lt;a title="Nueva York" href="http://es.wikipedia.org/wiki/Nueva_York"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Nueva York&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y se une al quinteto de Gillespie que, tras grabar "Gillespiana", obtiene un gran éxito. Schifrin se convierte en el director musical de Gillespie hasta &lt;/span&gt;&lt;/strong&gt;&lt;a title="1962" href="http://es.wikipedia.org/wiki/1962"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1962&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;.&lt;br /&gt;A partir de ese año, se centra en su carrera como compositor y director, casi siempre con una orientación de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Jazz latino" href="http://es.wikipedia.org/wiki/Jazz_latino"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;jazz latino&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Bossa nova" href="http://es.wikipedia.org/wiki/Bossa_nova"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;bossa nova&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;; acepta, además, en &lt;/span&gt;&lt;/strong&gt;&lt;a title="1963" href="http://es.wikipedia.org/wiki/1963"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1963&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; su primera colaboración con el mundo del cine. Schifrin se traslada a &lt;/span&gt;&lt;/strong&gt;&lt;a title="Hollywood" href="http://es.wikipedia.org/wiki/Hollywood"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Hollywood&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, consiguiendo grandes éxitos con sus temas para series como &lt;/span&gt;&lt;/strong&gt;&lt;a title="Starsky y Hutch" href="http://es.wikipedia.org/wiki/Starsky_y_Hutch"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Starsky y Hutch&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; (1975-76), &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Misión Imposible" href="http://es.wikipedia.org/wiki/Misi%C3%B3n_Imposible"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Misión Imposible&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;a class="new" title="(1966) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=(1966)&amp;amp;action=edit&amp;amp;redlink=1"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;(1966)&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Mannix" href="http://es.wikipedia.org/wiki/Mannix"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Mannix&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;.&lt;br /&gt;Durante la década de los setenta, escribe la música para películas como &lt;/span&gt;&lt;/strong&gt;&lt;a title="The Cincinnati Kid" href="http://es.wikipedia.org/wiki/The_Cincinnati_Kid"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;The Cincinnati Kid&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Bullitt" href="http://es.wikipedia.org/wiki/Bullitt"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Bullitt&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Cool Hand Luke" href="http://es.wikipedia.org/wiki/Cool_Hand_Luke"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Cool Hand Luke&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a title="Harry el sucio" href="http://es.wikipedia.org/wiki/Harry_el_sucio"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Harry el sucio&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Enter the Dragon" href="http://es.wikipedia.org/wiki/Enter_the_Dragon"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Enter the Dragon&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Como músico de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Jazz" href="http://es.wikipedia.org/wiki/Jazz"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;jazz&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, escribió la suite "Jazz Mass" en 1965, y se aproximó al &lt;/span&gt;&lt;/strong&gt;&lt;a class="new" title="Funk jazz (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Funk_jazz&amp;amp;action=edit&amp;amp;redlink=1"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;funk jazz&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; con su disco de 1975 Black Widow. Schifrin continuó con su trabajo para el &lt;/span&gt;&lt;/strong&gt;&lt;a title="Cine" href="http://es.wikipedia.org/wiki/Cine"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;cine&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; a lo largo de la década de los noventa; grabó, además, una serie de discos de jazz orquestal llamados Jazz Meets the Symphony y se convirtió en el principal arreglista para &lt;/span&gt;&lt;/strong&gt;&lt;a title="Los Tres Tenores" href="http://es.wikipedia.org/wiki/Los_Tres_Tenores"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Los Tres Tenores&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, llevándole a su actual interés por la &lt;/span&gt;&lt;/strong&gt;&lt;a title="Música clásica" href="http://es.wikipedia.org/wiki/M%C3%BAsica_cl%C3%A1sica"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;música clásica&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29151909-1235644844408361328?l=pegaondas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/1235644844408361328/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29151909&amp;postID=1235644844408361328&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/1235644844408361328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/1235644844408361328'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/2011/01/lalo-schifrin.html' title='Lalo Schifrin'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Yyg23vIoxmI/TSWvGUtKWuI/AAAAAAAAO9M/MYgpC7SSsQU/s72-c/laloschifrin.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29151909.post-3750224944747053208</id><published>2011-01-03T11:22:00.003+01:00</published><updated>2011-01-03T11:26:09.441+01:00</updated><title type='text'>Pete Postlethwaite    1945-2011</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Destacamos las películas realizadas a partir de "El nombre del padre" por la cuál recibió el Oscar a mejor actor secundario y que son más conocidas popularmente. Fue un actor inmensamente talentosos&lt;/span&gt;&lt;/strong&gt;.&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TSGjzATGT5I/AAAAAAAAO9E/aMhPy1-uZhw/s1600/pete-postlethwaite-7.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5557903511800663954" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TSGjzATGT5I/AAAAAAAAO9E/aMhPy1-uZhw/s400/pete-postlethwaite-7.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_Yyg23vIoxmI/TSGjtHHU1OI/AAAAAAAAO88/iSjDY4biAfY/s1600/postlethwaite-as-l_1290482a.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 250px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5557903410551117026" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TSGjtHHU1OI/AAAAAAAAO88/iSjDY4biAfY/s400/postlethwaite-as-l_1290482a.jpg" /&gt;&lt;/a&gt;&lt;a title="En el nombre del padre" href="http://es.wikipedia.org/wiki/En_el_nombre_del_padre"&gt;En el nombre del padre&lt;/a&gt; (1993)&lt;br /&gt;&lt;a title="The Usual Suspects" href="http://es.wikipedia.org/wiki/The_Usual_Suspects"&gt;The Usual Suspects&lt;/a&gt; (1995)&lt;br /&gt;&lt;a class="new" title="Tocando al viento (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Tocando_al_viento&amp;amp;action=edit&amp;amp;redlink=1"&gt;Tocando al viento&lt;/a&gt; (1996)&lt;br /&gt;&lt;a title="Romeo + Julieta" href="http://es.wikipedia.org/wiki/Romeo_%2B_Julieta"&gt;Romeo + Julieta&lt;/a&gt; (1996)&lt;br /&gt;&lt;a title="James and the Giant Peach (película)" href="http://es.wikipedia.org/wiki/James_and_the_Giant_Peach_(pel%C3%ADcula)"&gt;James and the Giant Peach&lt;/a&gt; (1996, voz)&lt;br /&gt;&lt;a class="new" title="Corazón de dragón (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Coraz%C3%B3n_de_drag%C3%B3n&amp;amp;action=edit&amp;amp;redlink=1"&gt;Corazón de dragón&lt;/a&gt; (1996)&lt;br /&gt;&lt;a title="El mundo perdido: Parque Jurásico II" href="http://es.wikipedia.org/wiki/El_mundo_perdido:_Parque_Jur%C3%A1sico_II"&gt;El mundo perdido: Parque Jurásico II&lt;/a&gt; (1997)&lt;br /&gt;&lt;a class="new" title="El beso de la serpiente (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=El_beso_de_la_serpiente&amp;amp;action=edit&amp;amp;redlink=1"&gt;El beso de la serpiente&lt;/a&gt; (1997)&lt;br /&gt;&lt;a class="new" title="Entre gigantes (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Entre_gigantes&amp;amp;action=edit&amp;amp;redlink=1"&gt;Entre gigantes&lt;/a&gt; (1998)&lt;br /&gt;&lt;a title="Rebelión en la granja" href="http://es.wikipedia.org/wiki/Rebeli%C3%B3n_en_la_granja"&gt;Rebelión en la granja&lt;/a&gt; (1999, voz)&lt;br /&gt;&lt;a class="new" title="Los divinos Ryans (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Los_divinos_Ryans&amp;amp;action=edit&amp;amp;redlink=1"&gt;Los divinos Ryans&lt;/a&gt; (1999)&lt;br /&gt;&lt;a class="new" title="El valor de la verdad (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=El_valor_de_la_verdad&amp;amp;action=edit&amp;amp;redlink=1"&gt;El valor de la verdad&lt;/a&gt; (2000)&lt;br /&gt;&lt;a class="new" title="Rat (película) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Rat_(pel%C3%ADcula)&amp;amp;action=edit&amp;amp;redlink=1"&gt;Rat&lt;/a&gt; (2001)&lt;br /&gt;&lt;a title="Atando cabos" href="http://es.wikipedia.org/wiki/Atando_cabos"&gt;Atando cabos&lt;/a&gt; (2001)&lt;br /&gt;&lt;a class="new" title="Between Strangers (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Between_Strangers&amp;amp;action=edit&amp;amp;redlink=1"&gt;Between Strangers&lt;/a&gt; (2002)&lt;br /&gt;&lt;a title="Dark Water" href="http://es.wikipedia.org/wiki/Dark_Water"&gt;Dark Water&lt;/a&gt; (2004)&lt;br /&gt;&lt;a title="El jardinero fiel (película)" href="http://es.wikipedia.org/wiki/El_jardinero_fiel_(pel%C3%ADcula)"&gt;El jardinero fiel&lt;/a&gt; (2005)&lt;br /&gt;&lt;a title="Æon Flux" href="http://es.wikipedia.org/wiki/%C3%86on_Flux"&gt;Æon Flux&lt;/a&gt; (2005)&lt;br /&gt;&lt;a title="La profecía" href="http://es.wikipedia.org/wiki/La_profec%C3%ADa"&gt;La profecía&lt;/a&gt; (2006)&lt;br /&gt;&lt;a title="Cerrando el círculo" href="http://es.wikipedia.org/wiki/Cerrando_el_c%C3%ADrculo"&gt;Cerrando el círculo&lt;/a&gt; (2007)&lt;br /&gt;&lt;a title="The Age of Stupid" href="http://es.wikipedia.org/wiki/The_Age_of_Stupid"&gt;The Age of Stupid&lt;/a&gt; (2007)&lt;br /&gt;&lt;a title="Solomon Kane" href="http://es.wikipedia.org/wiki/Solomon_Kane"&gt;Solomon Kane&lt;/a&gt; (2009)&lt;br /&gt;&lt;a class="mw-redirect" title="Clash of the Titans (2010)" href="http://es.wikipedia.org/wiki/Clash_of_the_Titans_(2010)"&gt;Furia de titanes&lt;/a&gt; (2010)&lt;br /&gt;&lt;a title="Inception" href="http://es.wikipedia.org/wiki/Inception"&gt;Inception&lt;/a&gt; (2010)&lt;br /&gt;&lt;a class="new" title="Killing Bono (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Killing_Bono&amp;amp;action=edit&amp;amp;redlink=1"&gt;Killing Bono&lt;/a&gt; (2010, posproducción)&lt;br /&gt;&lt;a class="new" title="The Bonny Boys (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=The_Bonny_Boys&amp;amp;action=edit&amp;amp;redlink=1"&gt;The Bonny Boys&lt;/a&gt; (2010, en producción)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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WHITE</title><content type='html'>&lt;div align="center"&gt;REGRESANDO A LO CLÁSICO...&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TONjsaE37DI/AAAAAAAAOqI/lVgPSK2KAs8/s1600/storm.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 272px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5540381581160999986" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TONjsaE37DI/AAAAAAAAOqI/lVgPSK2KAs8/s400/storm.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TONjj7ZSaqI/AAAAAAAAOqA/4Sa96gp6IsA/s1600/R%2Bbar.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 272px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5540381435486169762" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TONjj7ZSaqI/AAAAAAAAOqA/4Sa96gp6IsA/s400/R%2Bbar.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TONjcGbxzvI/AAAAAAAAOp4/6opQ7Dy-Gk0/s1600/smoke.jpg"&gt;&lt;img style="TEXT-ALIGN: center; 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MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 272px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5540380879670883010" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TONjDk0mMsI/AAAAAAAAOpg/21j9dxdWNNw/s400/Minerva%2By%2Bcantonada.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_Yyg23vIoxmI/TONi7zJfLlI/AAAAAAAAOpY/TD8C6rYSSgU/s1600/Liquor.parkav..jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 272px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5540380746077646418" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TONi7zJfLlI/AAAAAAAAOpY/TD8C6rYSSgU/s400/Liquor.parkav..jpg" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_Yyg23vIoxmI/TONi0ehGeSI/AAAAAAAAOpQ/437M6eHlqmw/s1600/chrysler%2B1%2By%2B2.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 272px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5540380620280461602" border="0" alt="" src="http://1.bp.blogspot.com/_Yyg23vIoxmI/TONi0ehGeSI/AAAAAAAAOpQ/437M6eHlqmw/s400/chrysler%2B1%2By%2B2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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Un estadounidense en las Naciones Unidas introdujo su pregunta, diciendo que esperaba la respuesta de un humanista y no de un brasileño.&lt;br /&gt;Ésta fue la respuesta del Sr. Cristóvão Buarque:&lt;br /&gt;Realmente, como brasileño, sólo hablaría en contra de la internacionalización de la Amazonia. Por más quenuestros gobiernos no cuiden debidamente ese patrimonio, él es nuestro.&lt;br /&gt;Como humanista, sintiendo el riesgo de la degradación ambiental que sufre la Amazonia, puedo imaginar su internacionalización, como también de todo lo demás, que es de suma importancia para la humanidad.&lt;br /&gt;Si la Amazonia, desde una ética humanista, debe ser internacionalizada, internacionalicemos también lasreservas de petróleo del mundo entero.&lt;br /&gt;El petróleo es tan importante para el bienestar de la humanidad como la Amazonia para nuestro futuro. A pesar de eso, los dueños de las reservas creen tener el derecho de aumentar o disminuir la extracción de petróleo y subir o no su precio.&lt;br /&gt;De la misma forma, el capital financiero de los países ricos debería ser internacionalizado. Si la Amazonia es una reserva para todos los seres humanos, no se debería quemar solamente por la voluntad de un dueño o de un país. Quemar la Amazonia es tan grave como el desempleo provocado por las decisiones arbitrarias de los especuladores globales.&lt;br /&gt;No podemos permitir que las reservas financieras sirvan para quemar países enteros en la voluptuosidad de la especulación.&lt;br /&gt;También, antes que la Amazonia, me gustaría ver la internacionalización de los grandes museos del mundo.El Louvre no debe pertenecer solo a Francia. Cada museo del mundo es el guardián de las piezas más bellas producidas por el genio humano. No se puede dejar que ese patrimonio cultural, como es el patrimonio natural amazónico, sea manipulado y destruido por el sólo placer de un propietario o de un país.&lt;br /&gt;No hace mucho tiempo, un millonario japonés decidió enterrar, junto con él, un cuadro de un gran maestro.Por el contrario, ese cuadro tendría que haber sido internacionalizado.&lt;br /&gt;Durante este encuentro, las Naciones Unidas están realizando el Foro Del Milenio, pero algunos presidentes de países tuvieron dificultades para participar, debido a situaciones desagradables surgidas en la frontera de los EE.UU. Por eso, creo que Nueva York, como sede de las Naciones Unidas, debe ser internacionalizada. Por lo menos Manhatan debería pertenecer a toda la humanidad. De la misma forma que París, Venecia, Roma, Londres, Río de Janeiro, Brasilia… cada ciudad, con su belleza específica, su historia del mundo, debería pertenecer al mundo entero.&lt;br /&gt;Si EEUU quiere internacionalizar la Amazonia, para no correr el riesgo de dejarla en manos de losbrasileños,internacionalicemos todos los arsenales nucleares. Basta pensar que ellos ya demostraron que son capaces de usar esas armas, provocando una destrucción miles de veces mayor que las lamentables quemas realizadas en los bosques de Brasil.&lt;br /&gt;En sus discursos, los actuales candidatos a la presidencia de los Estados Unidos han defendido la idea deinternacionalizar las reservas forestales del mundo a cambio de la deuda.&lt;br /&gt;Comencemos usando esa deuda para garantizar que cada niño del mundo tenga la posibilidad de comer y de ir a la escuela. Internacionalicemos a los niños, tratándolos a todos ellos sin importar el país donde nacieron, como patrimonio que merecen los cuidados del mundo entero. Mucho más de lo que se merece la Amazonia. Cuando los dirigentes traten a los niños pobres del mundo como Patrimonio de laHumanidad, no permitirán que trabajen cuando deberían estudiar; que mueran cuando deberían vivir.&lt;br /&gt;Como humanista, acepto defender la internacionalización del mundo; pero, mientras el mundo me trate como brasileño, lucharé para que la Amazonia, sea nuestra. ¡Solamente nuestra!&lt;br /&gt;NOTA: Este artículo fue publicado en el NEW YORK TIMES, WASHINGTON POST, USA TODAY y en los diarios de mayor tirada de EUROPA y JAPÓN.&lt;br /&gt;Pero en BRASIL y el resto de Latinoamérica, este artículo no fue publicado. Ayúdenos a divulgarlo.Gracias&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29151909-5508708248834738118?l=pegaondas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/5508708248834738118/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29151909&amp;postID=5508708248834738118&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/5508708248834738118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/5508708248834738118'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/2010/10/serbian-film.html' title='A Serbian Film.-'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Yyg23vIoxmI/TLq-0xwUJiI/AAAAAAAAOao/Mk0csTRRFIk/s72-c/serbianfilm5098.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29151909.post-1153221306477361745</id><published>2010-10-15T13:01:00.003+02:00</published><updated>2010-10-15T13:06:43.214+02:00</updated><title type='text'>Javier Colomo Arenaza</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;...Y su gente, la gente que sin su ayuda dificilmente sobreviviría. La gente a la que podemos ayudar con lo que para nosotros es una auténtica miseria y para ellos la diferencia entre la vida y la muerte. Entrar en su web, cuyo link adjunto, y no hay excúsa para no colaborar. Este dinero, sí que llega a buen fin, integramente...&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://electricidadsolidaria.blogspot.com/"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;http://electricidadsolidaria.blogspot.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TLg0yesecXI/AAAAAAAAOag/qt3CYJSXqTQ/s1600/SAM_0168.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5528226584434995570" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TLg0yesecXI/AAAAAAAAOag/qt3CYJSXqTQ/s400/SAM_0168.JPG" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TLg0tArEFCI/AAAAAAAAOaY/8gP4c1o4JhU/s1600/IMG_1437.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5528226490476663842" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TLg0tArEFCI/AAAAAAAAOaY/8gP4c1o4JhU/s400/IMG_1437.JPG" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TLg0nbqfNbI/AAAAAAAAOaQ/qoYHRFGHqkc/s1600/IMG_1425.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5528226394642789810" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TLg0nbqfNbI/AAAAAAAAOaQ/qoYHRFGHqkc/s400/IMG_1425.JPG" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29151909-1153221306477361745?l=pegaondas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pegaondas.blogspot.com/feeds/1153221306477361745/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29151909&amp;postID=1153221306477361745&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/1153221306477361745'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29151909/posts/default/1153221306477361745'/><link rel='alternate' type='text/html' href='http://pegaondas.blogspot.com/2010/10/javier-colomo-arenaza.html' title='Javier Colomo Arenaza'/><author><name>Márius Krmpotic</name><uri>http://www.blogger.com/profile/08353144566836247010</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Yyg23vIoxmI/TLg0yesecXI/AAAAAAAAOag/qt3CYJSXqTQ/s72-c/SAM_0168.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29151909.post-1719583561849232540</id><published>2010-10-14T13:04:00.004+02:00</published><updated>2010-10-14T13:08:34.020+02:00</updated><title type='text'>SIMONE SIGNORET</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Excelente actriz  y personaje intelectual. Su autobiografía, "La nostalgia es un error", tiene en mi opinión, uno de los mejores títulos que recuerde. Era alemana de nacimiento y murió en 1985, de cáncer de páncreas.-&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://1.bp.blogspot.com/_Yyg23vIoxmI/TLbkJ_jxwEI/AAAAAAAAOZ4/1ok8grmBWOc/s1600/watermark.jpg"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 303px; DISPLAY: block; HEIGHT: 380px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5527856452975312962" border="0" alt="" src="http://1.bp.blogspot.com/_Yyg23vIoxmI/TLbkJ_jxwEI/AAAAAAAAOZ4/1ok8grmBWOc/s400/watermark.jpg" /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_Yyg23vIoxmI/TLbkDc7a2YI/AAAAAAAAOZw/lxUUFQP6p2U/s1600/medium_71f2376fa13e967bf50b9d20134f1378.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5527856340600019330" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TLbkDc7a2YI/AAAAAAAAOZw/lxUUFQP6p2U/s400/medium_71f2376fa13e967bf50b9d20134f1378.jpg" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_Yyg23vIoxmI/TLbj9QRvcAI/AAAAAAAAOZo/5H-49xZtM50/s1600/simone+signoret.gif"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 336px; DISPLAY: block; HEIGHT: 223px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5527856234124767234" border="0" alt="" src="http://1.bp.blogspot.com/_Yyg23vIoxmI/TLbj9QRvcAI/AAAAAAAAOZo/5H-49xZtM50/s400/simone+signoret.gif" /&gt;&lt;/a&gt;&lt;br /&gt;Thérèse Humbert (&lt;a class="mw-redirect" title="Televisión en 1983" href="http://es.wikipedia.org/wiki/Televisi%C3%B3n_en_1983"&gt;1983&lt;/a&gt;, telefilme)&lt;br /&gt;&lt;a class="new" title="Guy de Maupassant (película) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Guy_de_Maupassant_(pel%C3%ADcula)&amp;amp;action=edit&amp;amp;redlink=1"&gt;Guy de Maupassant&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1982" href="http://es.wikipedia.org/wiki/Cine_en_1982"&gt;1982&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="L'Étoile du Nord (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=L%27%C3%89toile_du_Nord&amp;amp;action=edit&amp;amp;redlink=1"&gt;L'Étoile du Nord&lt;/a&gt; (1982)&lt;br /&gt;Chère inconnue (&lt;a class="mw-redirect" title="Cine en 1980" href="http://es.wikipedia.org/wiki/Cine_en_1980"&gt;1980&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Madame le juge (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Madame_le_juge&amp;amp;action=edit&amp;amp;redlink=1"&gt;Madame le juge&lt;/a&gt; (&lt;a class="mw-redirect" title="Televisión en 1978" href="http://es.wikipedia.org/wiki/Televisi%C3%B3n_en_1978"&gt;1983&lt;/a&gt;&lt;br /&gt;Judith Therpauve (&lt;a class="mw-redirect" title="Cine en 1978" href="http://es.wikipedia.org/wiki/Cine_en_1978"&gt;1978&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="L'Adolescente (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=L%27Adolescente&amp;amp;action=edit&amp;amp;redlink=1"&gt;L'Adolescente&lt;/a&gt; (1978)&lt;br /&gt;&lt;a title="Madame Rosa" href="http://es.wikipedia.org/wiki/Madame_Rosa"&gt;Madame Rosa&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1977" href="http://es.wikipedia.org/wiki/Cine_en_1977"&gt;1977&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Police Python 357 (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Police_Python_357&amp;amp;action=edit&amp;amp;redlink=1"&gt;Police Python 357&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1976" href="http://es.wikipedia.org/wiki/Cine_en_1976"&gt;1976&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="La Chair de l'orchidée (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=La_Chair_de_l%27orchid%C3%A9e&amp;amp;action=edit&amp;amp;redlink=1"&gt;La Chair de l'orchidée&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1975" href="http://es.wikipedia.org/wiki/Cine_en_1975"&gt;1975&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Rude Journée pour la reine (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Rude_Journ%C3%A9e_pour_la_reine&amp;amp;action=edit&amp;amp;redlink=1"&gt;Rude Journée pour la reine&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1973" href="http://es.wikipedia.org/wiki/Cine_en_1973"&gt;1973&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Granges brûlées (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_Granges_br%C3%BBl%C3%A9es&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Granges brûlées&lt;/a&gt; (1973)&lt;br /&gt;&lt;a class="new" title="La Veuve Couderc (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=La_Veuve_Couderc&amp;amp;action=edit&amp;amp;redlink=1"&gt;La Veuve Couderc&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1971" href="http://es.wikipedia.org/wiki/Cine_en_1971"&gt;1971&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Le Chat (película) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Le_Chat_(pel%C3%ADcula)&amp;amp;action=edit&amp;amp;redlink=1"&gt;Le Chat&lt;/a&gt; (1971)&lt;br /&gt;&lt;a class="new" title="Comptes à rebours (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Comptes_%C3%A0_rebours&amp;amp;action=edit&amp;amp;redlink=1"&gt;Comptes à rebours&lt;/a&gt; (1971)&lt;br /&gt;&lt;a class="new" title="L'Aveu (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=L%27Aveu&amp;amp;action=edit&amp;amp;redlink=1"&gt;L'Aveu&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1970" href="http://es.wikipedia.org/wiki/Cine_en_1970"&gt;1970&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="L'Armée des ombres (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=L%27Arm%C3%A9e_des_ombres&amp;amp;action=edit&amp;amp;redlink=1"&gt;L'Armée des ombres&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1969" href="http://es.wikipedia.org/wiki/Cine_en_1969"&gt;1969&lt;/a&gt;)&lt;br /&gt;L'Américain (1969)&lt;br /&gt;&lt;a class="new" title="The Sea Gull (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=The_Sea_Gull&amp;amp;action=edit&amp;amp;redlink=1"&gt;The Sea Gull&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1968" href="http://es.wikipedia.org/wiki/Cine_en_1968"&gt;1968&lt;/a&gt;)&lt;br /&gt;&lt;a title="¿Arde París? (película)" href="http://es.wikipedia.org/wiki/%C2%BFArde_Par%C3%ADs%3F_(pel%C3%ADcula)"&gt;¿Arde París?&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1966" href="http://es.wikipedia.org/wiki/Cine_en_1966"&gt;1966&lt;/a&gt;)&lt;br /&gt;&lt;a title="El barco de los locos" href="http://es.wikipedia.org/wiki/El_barco_de_los_locos"&gt;El barco de los locos&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1965" href="http://es.wikipedia.org/wiki/Cine_en_1965"&gt;1965&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Compartiment tueurs (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Compartiment_tueurs&amp;amp;action=edit&amp;amp;redlink=1"&gt;Compartiment tueurs&lt;/a&gt; (1965)&lt;br /&gt;&lt;a class="new" title="Dragées au poivre (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Drag%C3%A9es_au_poivre&amp;amp;action=edit&amp;amp;redlink=1"&gt;Dragées au poivre&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1963" href="http://es.wikipedia.org/wiki/Cine_en_1963"&gt;1963&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Le Jour et l'Heure (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Le_Jour_et_l%27Heure&amp;amp;action=edit&amp;amp;redlink=1"&gt;Le Jour et l'Heure&lt;/a&gt; (1963)&lt;br /&gt;&lt;a class="new" title="Term of Trial (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Term_of_Trial&amp;amp;action=edit&amp;amp;redlink=1"&gt;Term of Trial&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1962" href="http://es.wikipedia.org/wiki/Cine_en_1962"&gt;1962&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Amours célèbres (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_Amours_c%C3%A9l%C3%A8bres&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Amours célèbres&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1961" href="http://es.wikipedia.org/wiki/Cine_en_1961"&gt;1961&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Mauvais Coups (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_Mauvais_Coups&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Mauvais Coups&lt;/a&gt; (1961)&lt;br /&gt;&lt;a title="Un lugar en la cumbre (película)" href="http://es.wikipedia.org/wiki/Un_lugar_en_la_cumbre_(pel%C3%ADcula)"&gt;Un lugar en la cumbre&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1959" href="http://es.wikipedia.org/wiki/Cine_en_1959"&gt;1959&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Sorcières de Salem (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_Sorci%C3%A8res_de_Salem&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Sorcières de Salem&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1957" href="http://es.wikipedia.org/wiki/Cine_en_1957"&gt;1957&lt;/a&gt;)&lt;br /&gt;&lt;a title="La mort en ce jardin" href="http://es.wikipedia.org/wiki/La_mort_en_ce_jardin"&gt;La mort en ce jardin&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1956" href="http://es.wikipedia.org/wiki/Cine_en_1956"&gt;1956&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Diaboliques (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_Diaboliques&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Diaboliques&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1955" href="http://es.wikipedia.org/wiki/Cine_en_1955"&gt;1955&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Thérèse Raquin (película de 1953) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Th%C3%A9r%C3%A8se_Raquin_(pel%C3%ADcula_de_1953)&amp;amp;action=edit&amp;amp;redlink=1"&gt;Thérèse Raquin&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1953" href="http://es.wikipedia.org/wiki/Cine_en_1953"&gt;1953&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Casque d'or (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Casque_d%27or&amp;amp;action=edit&amp;amp;redlink=1"&gt;Casque d'or&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1952" href="http://es.wikipedia.org/wiki/Cine_en_1952"&gt;1952&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Sans laisser d'adresse (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Sans_laisser_d%27adresse&amp;amp;action=edit&amp;amp;redlink=1"&gt;Sans laisser d'adresse&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1951" href="http://es.wikipedia.org/wiki/Cine_en_1951"&gt;1951&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="La Ronde (película de 1950) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=La_Ronde_(pel%C3%ADcula_de_1950)&amp;amp;action=edit&amp;amp;redlink=1"&gt;La Ronde&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1950" href="http://es.wikipedia.org/wiki/Cine_en_1950"&gt;1950&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Manèges (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Man%C3%A8ges&amp;amp;action=edit&amp;amp;redlink=1"&gt;Manèges&lt;/a&gt; (1950)&lt;br /&gt;&lt;a class="new" title="Impasse des Deux-Anges (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Impasse_des_Deux-Anges&amp;amp;action=edit&amp;amp;redlink=1"&gt;Impasse des Deux-Anges&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1948" href="http://es.wikipedia.org/wiki/Cine_en_1948"&gt;1948&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Dédée d'Anvers (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=D%C3%A9d%C3%A9e_d%27Anvers&amp;amp;action=edit&amp;amp;redlink=1"&gt;Dédée d'Anvers&lt;/a&gt; (1948)&lt;br /&gt;&lt;a class="new" title="Macadam (película) (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Macadam_(pel%C3%ADcula)&amp;amp;action=edit&amp;amp;redlink=1"&gt;Macadam&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1946" href="http://es.wikipedia.org/wiki/Cine_en_1946"&gt;1946&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Démons de l'aube (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_D%C3%A9mons_de_l%27aube&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Démons de l'aube&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1945" href="http://es.wikipedia.org/wiki/Cine_en_1945"&gt;1945&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Adieu Léonard (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Adieu_L%C3%A9onard&amp;amp;action=edit&amp;amp;redlink=1"&gt;Adieu Léonard&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1943" href="http://es.wikipedia.org/wiki/Cine_en_1943"&gt;1943&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="Les Visiteurs du soir (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=Les_Visiteurs_du_soir&amp;amp;action=edit&amp;amp;redlink=1"&gt;Les Visiteurs du soir&lt;/a&gt; (&lt;a class="mw-redirect" title="Cine en 1942" href="http://es.wikipedia.org/wiki/Cine_en_1942"&gt;1942&lt;/a&gt;)&lt;br /&gt;&lt;a class="new" title="L'Ange de la nuit (aún no redactado)" href="http://es.wikipedia.org/w/index.php?title=L%27Ange_de_la_nuit&amp;amp;action=edit&amp;amp;redlink=1"&gt;L'Ange de la nuit&lt;/a&gt; (1942)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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En el 2003 se descubrió que tenía cámaras subterráneas que albergaban tumbas de la realeza.&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Abajo, una corta información sobre los Nabateos, una gran civilización prácticamente desconocida...&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TKgPDuSKvDI/AAAAAAAAOV0/UcgblZ4CDfo/s1600/petra-16.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 267px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5523681499608169522" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TKgPDuSKvDI/AAAAAAAAOV0/UcgblZ4CDfo/s400/petra-16.jpg" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TKgOzjUx4OI/AAAAAAAAOVs/Rw367wiEqu4/s1600/petra.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 263px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5523681221788426466" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TKgOzjUx4OI/AAAAAAAAOVs/Rw367wiEqu4/s400/petra.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TKgOqcXPcII/AAAAAAAAOVk/HzcAu7ecSuM/s1600/EM-507-09_PETRA_2.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5523681065300881538" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TKgOqcXPcII/AAAAAAAAOVk/HzcAu7ecSuM/s400/EM-507-09_PETRA_2.jpg" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_Yyg23vIoxmI/TKgOeTX2x-I/AAAAAAAAOVc/E3_W69pseyk/s1600/tresor%2520de%2520petra.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 262px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5523680856729110498" border="0" alt="" src="http://2.bp.blogspot.com/_Yyg23vIoxmI/TKgOeTX2x-I/AAAAAAAAOVc/E3_W69pseyk/s400/tresor%2520de%2520petra.jpg" /&gt;&lt;/a&gt; &lt;a title="Petra" href="http://es.wikipedia.org/wiki/Petra"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Petra&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; ( Piedra ), la capital nabatea esculpida en la roca.&lt;br /&gt;Los nabateos constituyen un antiguo pueblo cuya actividad se desarrolló especialmente al Sur y al Este de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Palestina (región)" href="http://es.wikipedia.org/wiki/Palestina_(regi%C3%B3n)"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Palestina&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. La capital la mayor parte del tiempo fue &lt;/span&gt;&lt;/strong&gt;&lt;a title="Petra" href="http://es.wikipedia.org/wiki/Petra"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Petra&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, que está situada a 80 km al sudeste del &lt;/span&gt;&lt;/strong&gt;&lt;a title="Mar Muerto" href="http://es.wikipedia.org/wiki/Mar_Muerto"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;mar Muerto&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. Su época de mayor esplendor abarca del siglo IV a. C. al I d. C. El casco urbano de Petra se repartía entre las dos riberas del río Uadi Músd, un valle encajonado entre altas rocas. Ciudad almacén de las mercancías que procedentes de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Arabia" href="http://es.wikipedia.org/wiki/Arabia"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Arabia&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;/strong&gt;&lt;a title="India" href="http://es.wikipedia.org/wiki/India"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;India&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y del &lt;/span&gt;&lt;/strong&gt;&lt;a title="Mar Rojo" href="http://es.wikipedia.org/wiki/Mar_Rojo"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;mar Rojo&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, eran trasladadas en largas caravanas por las rutas comerciales de la época. La posesión de los principales enclaves por donde esas rutas pasaban era una de los objetivos de los nabateos. &lt;/span&gt;&lt;/strong&gt;&lt;a title="Palmira" href="http://es.wikipedia.org/wiki/Palmira"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Palmira&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, al norte, fue capital del reino nabateo bajo el efímero reinado de la famosa reina &lt;/span&gt;&lt;/strong&gt;&lt;a title="Zenobia" href="http://es.wikipedia.org/wiki/Zenobia"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Zenobia&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, entre los años 266 - 272 d. C.&lt;br /&gt;La mayoría de los historiadores identifican a los nabateos con la tribu de Nébáyót. Por eso se les relaciona con &lt;/span&gt;&lt;/strong&gt;&lt;a title="Ismael" href="http://es.wikipedia.org/wiki/Ismael"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Ismael&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; de quien aquél era hijo (cfr. Gen 25,13; 28,9; 36,3; 1 Par 1,29). Pertenecían al grupo de los &lt;/span&gt;&lt;/strong&gt;&lt;a title="Arameos" href="http://es.wikipedia.org/wiki/Arameos"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;arameos&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; contra quienes combatió Tiglatpileser III (745 - 727 a. C.).&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a title="Asurbanipal" href="http://es.wikipedia.org/wiki/Asurbanipal"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Asurbanipal&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; también luchó contra ellos hacia 640 a. C. Unidos a la gente de Qedár resistieron mandados por el jefe árabe Uabé, hijo del anciano Házá'il. En este tiempo eran eminentemente &lt;/span&gt;&lt;/strong&gt;&lt;a title="Nómada" href="http://es.wikipedia.org/wiki/N%C3%B3mada"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;nómadas&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y la ley vigente entre ellos les prohibía sembrar trigo, plantar árboles o construir casas. Así mantenían el espíritu trashumante que les era propio.&lt;br /&gt;Hacia el 312 a. C., Antígono, soberano de &lt;/span&gt;&lt;/strong&gt;&lt;a title="Siria" href="http://es.wikipedia.org/wiki/Siria"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Siria&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Fenicia" href="http://es.wikipedia.org/wiki/Fenicia"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Fenicia&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, emprendió una campaña contra los nabateos, que se refugiaron en Petra. Allí gozaron de independencia, sobre todo en la época de mayor debilidad de los &lt;/span&gt;&lt;/strong&gt;&lt;a class="mw-redirect" title="Seléucida" href="http://es.wikipedia.org/wiki/Sel%C3%A9ucida"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;seléucidas&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;. La ciudad comercial más importante estaba en Hegra, hoy Medáh-insálih, lugar en que se cruzan las rutas del golfo Pérsico por Hái'l y &lt;/span&gt;&lt;/strong&gt;&lt;a title="Taima (oasis)" href="http://es.wikipedia.org/wiki/Taima_(oasis)"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Teima&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;, del &lt;/span&gt;&lt;/strong&gt;&lt;a title="Yemen" href="http://es.wikipedia.org/wiki/Yemen"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Yemen&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt; por Yatrib, del mar Rojo por Leuke Kome en la desembocadura de Uadi el-Harud.&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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MARGIN: 0px auto 10px; WIDTH: 296px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5519042784727079682" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TJeUK-vXGwI/AAAAAAAAOTc/aW-dV_ZprCc/s400/untitled.bmp" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_Yyg23vIoxmI/TJeTyiG0XtI/AAAAAAAAOTU/lYR6KCzgrig/s1600/boardwalk-empire-hbo.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 233px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5519042364723977938" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TJeTyiG0XtI/AAAAAAAAOTU/lYR6KCzgrig/s400/boardwalk-empire-hbo.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_Yyg23vIoxmI/TJeTtnLXY5I/AAAAAAAAOTM/DiR1cpnoTVI/s1600/boardwalk-empire_omar.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 361px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5519042280185881490" border="0" alt="" src="http://3.bp.blogspot.com/_Yyg23vIoxmI/TJeTtnLXY5I/AAAAAAAAOTM/DiR1cpnoTVI/s400/boardwalk-empire_omar.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_Yyg23vIoxmI/TJeTooI4tUI/AAAAAAAAOTE/Z8tx-wE_nBU/s1600/homebook2.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 270px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5519042194544571714" border="0" alt="" src="http://4.bp.blogspot.com/_Yyg23vIoxmI/TJeTooI4tUI/AAAAAAAAOTE/Z8tx-wE_nBU/s400/homebook2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Además del protagonista principal, Steve Buscemi, aquí el resto de destacadisimos:&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://es.wikipedia.org/wiki/Kelly_Macdonald"&gt;&lt;strong&gt;Kelly Macdonald&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;, actriz escocesa nominada y premiada a varios premios por su participación en el film “No Country for Old Men”.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://es.wikipedia.org/wiki/Stephen_Graham"&gt;&lt;strong&gt;Stephen Graham&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;, una cara más que conocida por proyectos como “Band of Brothers”, “Snatch: Cerdos y Diamantes” o “Gangs of New York” del propio Scorsese.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://es.wikipedia.org/wiki/Michael_Shannon#Oscar"&gt;&lt;strong&gt;Michael Shannon&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;, candidato a un oscar al mejor actor de reparto por “Revolutionary Road”&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://es.wikipedia.org/wiki/Michael_Pitt"&gt;&lt;strong&gt;Michael Pitt&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;, una de las jovenes promesas de Hollywood, con apariciones en peliculas de renombre como “Funny Games”, “The Village” o “Bully”.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://es.wikipedia.org/wiki/Michael_K._Williams"&gt;&lt;strong&gt;Michael Kenneth Williams&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;, el grandioso &lt;/strong&gt;&lt;a href="http://en.wikipedia.org/wiki/Omar_Little"&gt;&lt;strong&gt;Omar&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; en &lt;/strong&gt;&lt;a href="http://www.hbo.com/the-wire/index.html"&gt;&lt;strong&gt;The Wire&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script src="http://www.google-analytics.com/urchin.js" type="text/javascript"&gt;
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